In this course, students systematically study and analyze the complex and constitutive relationship between media and society (i.e. how humans make meaning of symbols in media and how the media reflect these symbols). The course provides foundational knowledge of the formation and future of mass media institutions including economics, governance and power structures as they mediate social meanings. In this course, students are taught to systematically analyze media and its effects through a critical process offering them skills to become more informed media analysts and consumers-an essential factor to the success of an informed participatory democracy.
Since the dawn of the new millennium, there has been a revolution in communication fueled by the spread of personal computers and the digitization of media. The content of this class focuses on the theoretical and practical aspects of this revolution. Through a variety of readings and hands-on digital projects, students will develop critical, sociological, and historical perspectives on new media culture. They will also develop some of the skills they need to be an active participant in this culture and the changing demands and emerging opportunities therein.
This course employs a chronological approach to examine the history and evolution of electronic media in the United States. By exploring a variety of mediums, such as radio, television, film, newspapers, magazines, and more, students will learn about media’s roles at different periods of U.S. history and how historical factors have shaped and influenced these roles. A large focus will be on the shift from the broadcast to the narrowcast model and what this means for the media industry today.
This course focuses on the principles of media aesthetics including light, color, space, time, motion, and sound, and how they are and can be used to optimize media production. Students will work both individually and in groups to apply what they learn about media aesthetics to create a series of projects involving photography, audio and video production, interactive media, and more. At the end of the course, students will construct a digital portfolio to display, promote, and reflect upon their work.
This course looks critically at the impact of historical, economic and political legacies of social categories and social order on media production, representation and reception. These legacies have created pervasive stereotypes that DO change (or get remixed) in and through the media, but often do so in ways that continue to uphold the perspective and status of those with power. The course also works to complicate traditional categories of identity (such as gender, race, class, and sexuality) to reveal ways we also individually and collectively resist, incorporate, and intermingle identities in various media contexts.
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This course fits well into the Women, Sexuality, and Gender Studies minor, and should be cross listed to count for the minor. I was unable to find GSWS in the dropdown menu.
This course has been offered in the past as a topics course.
An examination of the actual and potential effects of mass media communication. Initially the course will focus on the theories which have been, and are, used to evaluate the impact of the mass media. Then the course will examine specific mass media effects, including: television and cognitive development, the impact of the mass media emphasis on violence and sex, the media and role stereotyping, agenda setting, the impact of the media on politics, the U.S. media and the world, and the potential of the mass media to educate for positive social change. Mass media effects receiving emphasis will vary from semester to semester.
This advanced course provides an exhaustive survey of the major concepts, methods, theories, scholars, and debates in critical media studies. Students will work on developing questions that can provide insight into media texts, foregrounding an agenda that does the following: (1) fosters an understanding of contemporary media theory; and (2) allows students to think critically about the power and influence of the media as well as the construction and negotiation of social meanings therein. Students will produce a conference-ready paper that questions how a mediated phenomenon of their choice comes to make sense in a particular context at a given time.
Internship in Media Studies.
Department Chair Approval.