This course explores the process of training voices specifically for the instrumental music major to achieve technical and musical understanding informed by the findings of Vocal Science. Topics include anatomical structures, maturational changes, voice classifications, the vocal process, sequencing of technical objectives and repertoire, therapeutic exercises, psychological issues and learning styles, diction skills, resources for the vocal professional, and specific schools of vocal pedagogy.
Recommended for general college students who wish to gain knowledge and the understanding of music as a part of their cultural heritage.
The three genres of blues, jazz and rock will be approached as major units of study. The section on Blues will be dealt with first, so as, to have a chronological approach to the course. This unit on the blues will conclude prior to the transition in Rock music. The course will then travel back in time to the end of the Civil War and trace the path of early jazz styles. With the timeline of the blues firmly in place, a comparison of blues and jazz styles and their influences of one another will be discussed in class. The final section of the course will pick up with the late blues style and the transition into Rock music.
An intensive review of music fundamentals is followed by basic elements, including introduction to the tonal framework, scales and modes, intervals, basic chords, and chords in tonal context. Functional harmony is introduced at the basic level to include tonic, subdominant and dominant harmonies. Emphasis is placed on melodic writing and two-voice textures from first through fourth species counterpoint. Concurrent Requirement: MUSI 120L
This course develops aural and rhythmic skills toward the goal of comprehensive musicianship training. Aural identification of musical concepts and realization of concepts through sight-singing are stressed through group activities, software programs, dictation exercises and class lectures.
Melodic organization, thematic development and phrase structure are followed by non-chordal decorative pitches. Harmonic structures include the study of all diatonic triads, seventh chords, and their inversions in a functional harmonic context. Emphasis is placed on part writing in four-voice textures and analysis of diatonic harmonies and melody.
This course develops aural and rhythmic skills toward a goal of comprehensive musicianship training. Aural identification of musical concepts and realization of concepts through sight-singing are stressed through group activities, software programs, dictation exercises and class lectures. Must be taken concurrently with MUSI 121.
This course is the first semester of instruction for music majors (non-pianist) preparing for the departmental Piano Proficiency Requirements. Keyboard reading and technique are developed and theoretical principle of harmony and scalarmaterials are applied to the keyboard. Ensemble and solo literature is presented along with improvisational activities. Additional fees may apply.
This course provides the second semester of instruction for music majors (non-pianists) preparing for the departmental Piano Proficiency Requirements. Keyboard reading and technique are further developed and harmonization is realized throughout major and minor tonalities. Scalar and arpeggio techniques are covered as well as preparation for further requirements in the vocal/choral or instrumental area. Ensemble and solo literature are further explored. Additional fees may apply.
Private lessons. One credit hour is earned for 30 minutes each week for non-music majors and 50 minutes each week for music majors. See Financial Information for Department of Music private lesson fees. See Manual for Music Students for special regulations governing applied music lessons.
Private lessons. One credit hour is earned for 30 minutes each week for non-music majors and 50 minutes each week for music majors. See Financial Information for Department of Music private lesson fees. See Manual for Music Students for special regulations governing applied music lessons.
Private lessons. One credit hour is earned for 30 minutes each week for non-music majors and 50 minutes each week for music majors. See Financial Information for Department of Music private lesson fees. See Manual for Music Students for special regulations governing applied music lessons.
Private lessons. One credit hour is earned for 30 minutes each week for non-music majors and 50 minutes each week for music majors. See Financial Information for Department of Music private lesson fees. See Manual for Music Students for special regulations governing applied music lessons.
Private lessons. One credit hour is earned for 30 minutes each week for non-music majors and 50 minutes each week for music majors. See Financial Information for Department of Music private lesson fees. See Manual for Music Students for special regulations governing applied music lessons.
Private lessons. One credit hour is earned for 30 minutes each week for non-music majors and 50 minutes each week for music majors. See Financial Information for Department of Music private lesson fees. See Manual for Music Students for special regulations governing applied music lessons.
Private lessons. One credit hour is earned for 30 minutes each week for non-music majors and 50 minutes each week for music majors. See Financial Information for Department of Music private lesson fees. See Manual for Music Students for special regulations governing applied music lessons.
This course will provide an overview of electronic music as it relates to music education, computers, software, MIDI keyboards and hardware. Music education majors are required to take this course concurrently with MUSI 120.